El Laberinto del Fauno

Following a bloody civil war, young Ofelia enters a world of unimaginable cruelty when she moves in with her new stepfather, a tyrannical military officer. Armed with only her imagination, Ofelia discovers a mysterious labyrinth and meets a faun who sets her on a path to saving herself and her ailing mother. But soon, the lines between fantasy and reality begin to blur, and before Ofelia can turn back, she finds herself at the center of a ferocious battle between good and evil.

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El Dia Que Me Amen

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Conversaciones con Mama

Mom is eighty-two years old and her son Jaime is fifty. They live in completely different worlds. Jaime is married, has two children, a beautiful house, two cars and a mother-in-law to attend to. Mom manages on her own and endures her old age with the same dignity with which she has lived her entire life. Unexpectedly, the company for which Jaime works downsizes and lays him off. His regrettable situation forces him to make drastic decisions because he can no longer support his lifestyle.

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The Sea Inside , Mar Adentro

Winner of the Academy Award for Best Foreign Language Film of 2004, The Sea Inside is a life-affirming film about a man who wishes to die. That may seem like a massive contradiction, but in the hands of director Alejandro Amenábar (Open Your Eyes, The Others) and actor Javier Bardem (Before Night Falls), this fact-based Spanish drama concerns the final days of Ramón Sampedro, the quadriplegic poet who waged a controversial campaign for his right to die. He was denied this right for 30 years, and ultimately arranged for his own assisted suicide, but this remarkable film--and Bardem's keenly intelligent performance--examines the hotly-debated issue of assisted suicide with admirable depth and humanity, just as Sampedro did until his death in 1998.

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Nine Queens, Nueve reinas

Nine Queens joins a line of sly thrillers about master-pupil con artists and games within games within games that includes The Sting, House of Games, and Heist. In the first five minutes, we watch an overt scam--a young Argentinian named Juan (Gastón Pauls) running the two-10s-for-a-5 hornswoggle on a convenience store clerk--then find that we have been tricked along with the bystanders as another brand of deception kicks in. And so it goes as Juan, with both trepidation and excitement, drifts into partnership for a day with an older, more cosmopolitan conman, Marcos (Ricardo Darín). Knocking around Buenos Aires--from gritty downtown to cozy neighborhood side streets to a swank hotel where wealth murmurs behind every door--these damnably resourceful scoundrels try not to miss a bet, including an epic swindle involving the titular "Nine Queens," a set of ultrarare stamps. Writer-director Fabián Bielinsky keeps a taut rein on everything, including his own cleverness. The end result is an entertainment as bracingly disciplined as it is ingenious.

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Amores Perros

Amores Perros roughly translates to "Love's a bitch," and it's an apt summation of this remarkable film's exploration of passion, loss, and the fragility of our lives. In telling three stories connected by one traumatic incident, Mexican director Alejandro Gonzalez Inarritu uses an intricate screenplay by novelist Guillermo Arriaga to make three movies in close orbit, expressing the notion that we are defined by what we lose--from our loves to our family, our innocence, or even our lives. These interwoven tales--about a young man in love with his brother's pregnant wife, a perfume spokeswoman and her married lover, and a scruffy vagrant who sidelines as a paid killer--are united by a devastating car crash that provides the film's narrative nexus, and by the many dogs that the characters own or care for. There is graphic violence, prompting a disclaimer that controversial dog-fight scenes were harmless and carefully supervised, but what emerges from Amores Perros is a uniquely conceptual portrait of people whom we come to know through their relationship with dogs.

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The Motorcycle Diaries , Diarios de Motocicleta

The beauty of the South American landscape and of Gael Garcia Bernal (Y Tu Mama Tambien, Bad Education) gives The Motorcycle Diaries a charisma that is decidedly apolitical. But this portrait of the young Che Guevara (later to become a militant revolutionary) is half buddy-movie, half social commentary--and while that may seem an unholy hybrid, under the guidance of Brazillian director Walter Salles (Central Station) the movie is quietly passionate. Guevara and his friend Alberto Granado (Rodrigo de la Serna, a lusty and engaging actor) set off from Buenos Aires, hoping to circumnavigate the continent on a leaky motorcycle. They end up travelling more by foot, hitchhiking, and raft, but their experience of the land and the people affects them profoundly. No movie could affect an audience the same way, but The Motorcycle Diaries gives a soulful glimpse of an awakening social conscience, and that's worth experiencing

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Son of the Bride , El Hijo de la Novia

"Son of the Bride" is a heartwarming story of love and the appreciation of life. This award-winning Argentine feature was nominated for an Academy Award for Best Foreign Language Film and stars Ricardo Darin ("Nine Queens," "The Stranger"), Hector Alterio ("Burnt Money," "The Official Story") and Norma Aleandro ("Cousins," "Vital Signs"). Rafeal's whole life is put into perspective when a series of unexpected events happen that make him re-evaluate his life. With the help of a childhood friend, he is able to restructure his past and appreciate life's little details.

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Maria Full of Grace , Maria llena de Gracia

(Drama) Maria Alvarez (Catalina Sandino), a bright, spirited 17-year old, lives with three generations of her family in a cramped house in rural Colombia. Desperate to leave her job stripping thorns from flowers in a rose plantation, Maria accepts a lucrative offer to transport packets of heroin-which she must swallow-to the United States. The ruthless world of international drug trafficking proves to be more than Maria bargained for as she becomes ultimately entangled with both drug cartels and immigration officials. The dramatic thriller builds toward a conclusion so powerful and revealing it could only be based on a thousand true stories.

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Volver

Spanish for "Coming Back," Volver is a return to the all-female format of All About My Mother. Unlike Pedro Almodóvar's previous two pictures, the story revolves around a group of women in Madrid and his native La Mancha. (The cast received a collective best actress award at Cannes.) Raimunda (a zaftig Penélope Cruz) is the engine powering this heartfelt, yet humorous vehicle. When husband Paco (Antonio de la Torre) is murdered, Raimunda makes like Mildred Pierce to deflect attention away from daughter Paula (Yohana Cobo). After telling everyone the lout has left, she struggles to conceal his body. The other women in her life all have secrets of their own.

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